For me, at least, I know part of why SoundHack stays in my Dock is that I still find, with convolution especially, sounds that surprise me. PK: Yes, absolutely! And maybe as people get more used to these techniques, too, even in SoundHack, that will continue to drive people to try for the unexpected. That's good news, people are going far beyond the easy and obvious.
Now musicians are more familar with spectral techniques, so it's not so easy to identify SoundHack in the mix anymore. There were some convolved sounds of underwater screaming. I did like it when I saw the IMAX film on the Titanic. TE: Surprising sounds are one of my favorite things. PK: Have there been any sounds or music that came out of work with SoundHack that surprised you? Have you been surprised at all by the response, or how it's been used? I'm always impressed by the number of people using this one little application, and in such a variety of ways, even today. I wanted to take some computer music techniques that were only used in academia, and get them out there so that all types of musicians could use them. I did have something of a mission with SoundHack. SoundHack was my main thing for a long time, and I poured a lot of effort into it.
SOUNDHACK VARISPEED PLUGINS MAC
Do you mind being known as "the guy who developed SoundHack"? I think you're something of a celebrity for having been behind this landmark piece of Mac software. PK: Let's start by talking about past work, since I think that's how many people know you best (for now, anyway, until they see the new plugins).
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